Current Fine Art Events


New Art Display: Wonder

The Fine Arts Team is pleased to present their summer exhibit with a display of works from the Hennepin Avenue UMC permanent collection around the theme of wonder. Curated by team member Tom Arneson, who suggests, “When you spend some time with the show, think about which pieces speak to you of wonder and awe.” What do you see? What does a particular piece speak to you? View this exhibit now through the summer. On this page are featured only a few pieces of art from this collection. To view upcoming Fine Art Events, click here.

ARTIST: LOIS HEIM, AMERICAN (b. 1918)
PAINTING (FEATURED ABOVE): UNTITLED [CONCERT IN PARK WITH PAVILION; CHILDREN IN FORGROUND] OIL ON CANVAS, c. 1972
This painting was donated to Hennepin Avenue UMC on Easter Sunday, April 2, 1972, in memory of Linda Jeanne Meisser, by her parents, Mr. and Mrs. Hugo R. Meisser and her brother, Gregory, all members of Hennepin Chime. Heim was a 1940 graduate of Minneapolis College of Art and Design and has continued producing art into her 90s. Gift of Jeanne, Hugo, and Gregory Meisser.

ARTIST: ARIBERT MUNZNER,
AMERICAN, b. 1930
PAINTING: GENESIS–SUMMER 1965 #3

Much of Munzner’s body of work deals with the wonder of creation. In the book, Aribert Munzner: Teacher, Colleague, Artist (Minneapolis College of Art and Design, 2000), this statement appears in a short essay by Dolly Fitterman: “In a time of unprecedented scientific revelations and pioneering space explorations, our culture has been confronted by questions of our place in the universe. For many decades Aribert has been working on his Genesis series, synthesizing the areas of art, science, and mythology.”

Munzner was born in Mannheim, Germany and immigrated to the United States in 1939. He received his BFA from Syracuse University in 1953 and his MFA from Cranbrook Academy of Art in 1955. In 1955 he became a professor at the Minneapolis College of Art and Design, becoming a professor emeritus in 1994. Since then he has continued to make art.

ARTIST: WOONG KIM, b. 1944, KOREA; NEW YORK CITY SINCE 1970
PAINTING: DANCE, c. 1970, OIL ON CANVAS

Woong Kim was born in 1944 in Korea and showed talent with drawing and painting at an early age. Methodist missionaries connected with Hennepin Avenue UMC, Ed and Genell Poitras, met Woong and his family while they were in Korea in the mid–1960s. At this time in Korea there was relatively little Western art to see and Americans and American culture were very popular. Woong Kim wanted to come to the United States to broaden his horizons and to learn English. Ed and Genell helped to make the arrangements resulting in Woong spending a little less than a year in Minneapolis, where he lived with Hank and Dottie Garwick and their family. He spent much of his time in local museums and painting at the Garwick’s house. His paintings sold well at shows at Hennepin Avenue UMC and elsewhere in the Twin Cities. After leaving Minneapolis, Woong Kim went to New York and completed an art program at Yale University. He has had a very successful career as an artist, and his paintings now command high prices. He continues to live in New York City.

The composition and brushwork of Dance give this piece a delightful motion and energy.

ARTIST: HE QI, CHINESE, BORN CIRCA 1950S, LONGTIME RESIDENT OF USA
PAINTING: THREE WOMEN AT THE TOMB, 1996, GOUACHE AND CHINESE INK ON KOREAN RICE PAPER

Jesus had been crucified and buried. “When the sabbath was over, Mary Magdalene, and Mary the mother of James, and Salome bought spices, so that they might go and anoint him. And very early on the first day of the week, when the sun had risen, they went to the tomb.” Mark 16:1-2 (NRSV)

He Qi takes his themes from biblical texts and uses Chinese images and symbolism to make Christianity more accessible to the Chinese people, using a combination of Chinese and Western techniques, styles, and media. He was the first among mainland Chinese to earn a Ph.D. in religious art (1992) after the Chinese Cultural Revolution and he became a professor of Christian Art and Nanjing Theological Seminary before moving to St Paul, Minnesota, in 2004. maintaining Minnesota as his home base, he traveled regularly back to China and to institutions around the world as a visiting professor until he moved to California in 2014 to take a faculty position. Gift of Inez Sauby


Gilt Frame Restoration Project

The Gift of Gilding: Restoring the Frame of “Adoration of the Shepherds”
by Margaret Osborne

Artisans from across the country gave Hennepin Avenue UMC a gift of their talent this summer. The Society of Gilders held its annual conference in St. Paul on June 17–21, and they offered to restore a picture frame in the local community. The Fine Arts Team was approached by local gilder Carol Lenington this spring to see if the church was interested.

Background

When you look at a painting, you may not immediately notice the frame, but it can do much to enhance or detract from the painted image. One of the reasons the Art Gallery looks so beautiful is because of the work that has been done to take care of both paintings and frames. Over the years we have conserved most of the paintings given to Hennepin by T.B. Walker, and placed them in new or restored picture frames. The frame for “Job’s Messengers” was in poor shape and required extensive work, so currently it is out for repairs at a local studio. The “Adoration of the Shepherds” painting was conserved in 1981, but the sturdy frame around it was untouched and looked dull and dirty. Carol agreed this frame would work well for The Society of Gilders’ restoration project.

THE PROCESS

Hennepin Avenue UMC paid for the professional movers who took the painting down and removed it from the frame, as well as for the gilding supplies (including 23K gold leaf). Up to ten gilders worked on the restoration over the course of four days. First, they cleaned the surface, made minor repairs, and sealed it to prepare for the gild. Next, they applied a “size” which provided a tacky surface to hold the gold leaf.  Then, they carefully applied the gold leaf and brushed it into position around the complex surfaces of the ornate frame (gold leaf is so thin that it will fly away or disintegrate if you try to pick it up with your fingers). After applying protective shellac, the surface looked too bright and gaudy, so they “toned” it–they applied darker pigment to the recesses and polished the high points. This brought out the texture of the frame and gave it the proper “age.”

View the Restoration

The next time you visit the Art Gallery, be sure to look for this painting on the North Wall. You will be amazed how much better it looks with this beautifully restored frame! Our thanks to the gilders who shared their unique talents to make this happen. 

Learn More

If you are interested in learning more about the work of the Fine Arts Team, please contact Mark Squire (mark.squire@haumc.org) or Beth Arel (betharel@msn.com).



The Permanent Fine Art Collection


The Other Walker Art Gallery

There is a second Walker Art Gallery in Minneapolis that few people know of. It is housed across the street from the world-famous Walker Art Center inside the Hennepin Avenue United Methodist Church, and holds the religious paintings that were part of T.B. Walker’s original collection… (watch video above)

The Art Collection at Hennepin Avenue UMC

Few, if any, churches in America have so complete a religious art collection as that of Hennepin Avenue United Methodist Church. Housing over 275 works of art, including painting, lithographs, sculpture, graphics, and textiles, the 1916 church building itself draws artistic and architectural note with its cathedral-like construction and stained glass, topped by a slender, soaring spire. Together, edifice and artwork have inspired and given aesthetic pleasure to church members and the visiting public for several generations. Hennepin Avenue UMC’s art is a unique resource in the Upper Midwest, educating, giving joy, and celebrating the sacred Word through visual display.

ARCHITECT: EDWIN HAWLEY HEWITT, 1874-1939
The Neo-Gothic style church edifice was designed by architect Edwin H. Hewitt after the Ely Cathedral in England. The sanctuary is unencumbered by pillars so that every worshipper has a clear view of the pulpit. Richly carved white oak woodwork adorns the chancel, chancel furniture, and organ.

STAINED GLASS PICTURED: THE GREAT NORTH WINDOW
SUBJECT: Ruth, Esther, Mary, Dorcas
DEDICATED: 1939

Visitors to the sanctuary find themselves bathed in glorious light beaming through the church’s towering stained glass windows. The four pier windows and the three balcony windows were completed by 1939. They were designed by Charles J. Connick of Boston, one of Amerca’s foremost artists in stained glass and the person credited with bringing medieval glass techniques to the United States.

People at Hennepin Avenue UMC know that their collection, like any resource, must be maintained and that it should reflect the art of today as well as the past. Restoration programs have played an important part in the life of the collection and continue to do so today.


The T.B. Walker Collection of Religious Paintings

Perhaps the most striking of all the church’s collected works are the oil paintings given to the church by one of its earliest members, Thomas Barlow Walker (1840–1927). Having donated several paintings to the church around the turn of the century, Walker gained his fellow congregants’ partnership in displaying religious art when they elected to incorporate an art gallery into the design of the new church building. On this page are featured a revolving few pieces of art from this collection.

ARTIST: ANTONIO CISERI, ITALIAN (1821–1891)
PAINTING (featured above): ECCE HOMO
Pilate presents Jesus to the crowd after his trial. Ciseri painted in the academic style, but shows influence from the impressionists and post impressionists. This was the first painting to be given to Hennepin Avenue UMC (circa 1900).

ARTIST: JULES JEAN ANTOINE LECOMPTE DU NUOY, FRENCH (1842–1923)
PAINTING: CHRISTIAN PILGRIMS AT THE TOMB OF THE HOLY VIRGIN IN JERUSALEM, 1877

Du Nuoy studied with the noted French academic painter, Jena-Leon Gerome. Like many artists of his generation, he was captivated by exotic scenes of the Near East. This painting was exhibited at the Paris Salon in 1878 and at the Minneapolis Institute of Arts in 1991.

ARTIST: JUAN CORREA DE VIVAR, SPANISH (ACTIVE 1549–1561)
PAINTING: THE ANNUNCIATION

The Archangel, Gabriel, comes to tell the Virgin Mary that she is to become the mother of the Lord. This is one of three paintings from a church near Toledo, Spain. It was part of a multi-panel screen behind the altar.

ARTIST: PIETER POURBUS, FLEMISH (1523–1584)
PAINTING: ABRAHAM AND THE ANGELS

The most significant work in the collection is this mannerist painting on wood panel. Northern European painters often set biblical subjects in their own time. Note the house and the servant’s dress. Three messengers from God visit Abraham with the news that he and Sarah will have a son, Isaac. Sarah laughs at the idea of becoming a mother in her old age.


Upcoming Fine Art Events


Stone Sculpture Exhibit: Family

Exhibit: September 8–October 27
Receptions: September 13 & 22

The Fine Arts Team is proud to present their fall sculpture show, Family, featuring the artistry of Zimbabwean Shona artists. The show, September 8 through October 27 in the Art Gallery, will feature 20 works in stone by a variety of artists. The Fine Arts Team is hosting a gallery reception on Friday, September 13 from 6–8pm, and Sunday, September 22 from 11:30am–1pm in the Art Gallery. Curator Rex Mhiripiri of Mhiripiri Galleries (pictured above) will be present to answer questions. 

To learn more about this event, please click here.